Interactive LED Sculpture Projects Visitors’ Faces 14-Feet-Tall

Ever wanted to see your face as a 14 foot sculpture? Well now you can in Columbus! As We Are is a 14-foot interactive sculpture by artist Matthew Mohr currently installed in the Greater Columbus Convention Center. The head-shaped work slowly rotates through a database of faces, displaying a range of Columbus residents and its visitors on 24 horizontal bands of LED screens. The monitors wrap nearly 360 degrees around the piece, leaving a gap for a photo studio where guests can pose for pictures that will be featured on work’s screens.

As We Are presents Columbus as a welcoming, diverse culture where visitors and residents can engage on multiple levels through an interactive experience with public art,” says Mohr in an artist statement about the interactive structure. “It is an open-ended, conceptual piece that explores how we represent ourselves individually and collectively, asking participants to consider their identity in social media and in public. It asks all viewers to contemplate portraits of people from different ethnicities, and gender identities.” Check out the full project here.

Best and Worst Identities of 2017

If you really enjoy seeing the best and the worst logo identity redesigns in one spot – this is the place! This is the year in review done by Under Consideration’s Brand New website.

This first installment — of seven total if you wish to click through all of them  — looks at the most notable projects, from both the Reviewed and Noted categories, in terms of notoriety and media attention received. These are neither the best nor the worst, although a few make repeat appearances in other lists, but simply the most visible. Listed in order.

Part 1 is the linked page below. Make sure you scroll past all the other linked parts to see the most notable.

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Life-Size Cardboard Sculptures of Chinese Villagers

Warren King began sculpting with cardboard as an attempt to add fantasy to the lives of his children, creatively crafting masks and helmets out of the recyclable material. This slowly evolved into a more time-consuming arts practice as King began focusing less time on costumes, and more time making large sculptures of his own. After a visit to his grandparents’ village in Shaoxing, China, the New York City-based artist felt compelled to more deeply connect with his cultural past. This sparked Grandfather’s Friend, and Arrival Times, a series of life-size cardboard recreations of his ancestors.

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